dear upstairs neighbors,
I appreciate you not holding band practice tonight. However, I do not appreciate you throwing a party tonight with loud music and bass that is now nearly shaking my furniture.
I never see you early in the mornings. May I suggest that you shift all of your daily activities forward by approximately two hours? Then, we would never have problems.
love,
lauren
Saturday, January 30, 2010
dear upstairs neighbors,
I am also a musician and I understand and support your endeavors to start a band and become musicians. You're not too terribly bad, especially since your lead singer got drastically better over break, or you replaced him with one who could actually sing, or you just stopped trying to sing Kings of Leon, whichever actually happened. At any rate, I admire your persistent, every night practicing, and I can hear your improvement. What I want to know is why I have to hear your improvement at midnight and after. Your neighbors would like to be able to turn on and off the music that they hear, especially when they are trying to sleep...
love,
lauren
I am also a musician and I understand and support your endeavors to start a band and become musicians. You're not too terribly bad, especially since your lead singer got drastically better over break, or you replaced him with one who could actually sing, or you just stopped trying to sing Kings of Leon, whichever actually happened. At any rate, I admire your persistent, every night practicing, and I can hear your improvement. What I want to know is why I have to hear your improvement at midnight and after. Your neighbors would like to be able to turn on and off the music that they hear, especially when they are trying to sleep...
love,
lauren
Sunday, January 10, 2010
sometime over Christmas break or maybe a little before I remembered that music existed. I mean, I had been listening to music and all, but something, and I don't even remember what, made me remember that music comes from real people and isn't magically generated out of a computer like iTunes makes it out to be.
So, I have decided to remember how to play piano. I didn't practice any over break due to busyness and to not particularly wanting to be heard. But I've been here for a week and have practiced five days. It's been good. I remember more than I thought I would.
I like practicing here. The practice rooms are warm. The upright pianos let me play more comfortably and expressively than the baby grands did at Winthrop (yeah, I'm weird). And so far I haven't heard anyone else practicing who was exquisitely good at piano like I did in the practice rooms at Winthrop. That makes it a whole lot less intimidating to sit down and play as I want to, mistakes and all. And it's more enjoyable since when I sit down at the piano I don't have to panic about having to play this for anyone else if I don't want to. There's no teacher looking for my mistakes, no jury at the end of the semester asking me to play the one scale that I can't remember, and no expectation that I have my pieces perfected and memorized in 15 weeks. I'm on my own schedule and I'm my own worst critic.
I'm working on getting Chopin's Nocturne in C# minor back to well-polished (and I'm pretty close). I really would like to finish the rest of Mozart's Twelve Variations on Twinkle Twinkle Little Star--I play probably five or six of the twelve variations well and I'd like to learn the two I skipped and get the remaining variations to the point where I play them well. I have no interest into returning to the two Bach inventions I learned, haha. After I get those two pieces down I'll probably polish up the Granados Danza Espanola No. 2.
I'd like to start a new piece or two as well. Probably one at a time for now. I'd really like to eventually attempt Granados' Valses Poeticos but I think it's a bit beyond my skill level right now, as is his Danza Espanola No. 8, which no one in the world seems to have recorded except perhaps Ms. de Larrocha, and I can't find a link for her (excellent in my opinion) rendition anywhere. So we'll skip the Granados for now. I'm thinking about finally learning the rest of Mozart's Sonata K545 that I've known the first bit of for forever. I've got a book of Clementi sonatinas that might be another potential option, or I might just pick something out of my big book of classics. I'd like to play Debussy's Arabesque No. 1 but all those triplets over eighths might kill me. We'll see. I just need to find something the right difficulty level--challenging enough to increase my skill but easy enough that I won't get frustrated with it.
I'm going to try to be disciplined and practice at least three times a week. I can spare a half-hour three times a week and that'll work wonders. Hopefully my academic schedule won't be chaotic enough to stop me.
mk that's all for now.
So, I have decided to remember how to play piano. I didn't practice any over break due to busyness and to not particularly wanting to be heard. But I've been here for a week and have practiced five days. It's been good. I remember more than I thought I would.
I like practicing here. The practice rooms are warm. The upright pianos let me play more comfortably and expressively than the baby grands did at Winthrop (yeah, I'm weird). And so far I haven't heard anyone else practicing who was exquisitely good at piano like I did in the practice rooms at Winthrop. That makes it a whole lot less intimidating to sit down and play as I want to, mistakes and all. And it's more enjoyable since when I sit down at the piano I don't have to panic about having to play this for anyone else if I don't want to. There's no teacher looking for my mistakes, no jury at the end of the semester asking me to play the one scale that I can't remember, and no expectation that I have my pieces perfected and memorized in 15 weeks. I'm on my own schedule and I'm my own worst critic.
I'm working on getting Chopin's Nocturne in C# minor back to well-polished (and I'm pretty close). I really would like to finish the rest of Mozart's Twelve Variations on Twinkle Twinkle Little Star--I play probably five or six of the twelve variations well and I'd like to learn the two I skipped and get the remaining variations to the point where I play them well. I have no interest into returning to the two Bach inventions I learned, haha. After I get those two pieces down I'll probably polish up the Granados Danza Espanola No. 2.
I'd like to start a new piece or two as well. Probably one at a time for now. I'd really like to eventually attempt Granados' Valses Poeticos but I think it's a bit beyond my skill level right now, as is his Danza Espanola No. 8, which no one in the world seems to have recorded except perhaps Ms. de Larrocha, and I can't find a link for her (excellent in my opinion) rendition anywhere. So we'll skip the Granados for now. I'm thinking about finally learning the rest of Mozart's Sonata K545 that I've known the first bit of for forever. I've got a book of Clementi sonatinas that might be another potential option, or I might just pick something out of my big book of classics. I'd like to play Debussy's Arabesque No. 1 but all those triplets over eighths might kill me. We'll see. I just need to find something the right difficulty level--challenging enough to increase my skill but easy enough that I won't get frustrated with it.
I'm going to try to be disciplined and practice at least three times a week. I can spare a half-hour three times a week and that'll work wonders. Hopefully my academic schedule won't be chaotic enough to stop me.
mk that's all for now.
Subscribe to:
Comments (Atom)
